
The Story Behind This Piece
- emmaleighdean
- 5 days ago
- 6 min read
The Story Behind This Piece
A couple of months ago I sat down with a single goal: create an image that feels like it’s been hanging on barrio walls and county-jail pinup boards for the last 25 years… even though it didn’t exist until now.This black-and-gray piece is not 100 % my original thought work, cooked up from scratch , but every single symbol was chosen because it already lives deep in Chicano/lowrider/prison-art DNA. I didn’t invent the language; I just listened to it fluently.Here’s the full breakdown of what I put in and why:
The Two Dogs
My love of dogs. No picture would have been complete without them
Left dog: spiked collar (classic 90s–early 2000s backyard “guard dog” energy)
Right dog: heavy Cuban-link chain (the cleaner, modern bully look) The Staffordshire Bull Terrier Being my first Bull breed love, there is no need for it to be perfect.
Together they represent both eras of the same world and the fact that loyalty never goes out of style.
Why This Image Stops You in Your Tracks
Even If You’ve Never Lived That Life)I didn’t grow up in the barrio. I’ve never had a dog on a chain, never thrown up a barrio sign, never had to say a rosary before leaving the house.
But years ago, I stumbled across the work of Simon “Menace” Valencia, and something changed.Menace’s black-and-gray masterpieces (pit bulls staring like they know your secrets, praying hands wrapped in beads, black roses dripping tears of ink) became the blueprint for an entire mood. His pieces hang in garages in East L.A., on county-jail cell walls, on the chests of men doing life, and on T-shirts at every Sunday car show from L.A. to San Antonio. He didn’t just draw Chicano reality; he turned it into scripture.This particular image you’re looking at isn’t an official Menace piece, but it’s impossible to look at it without feeling his influence in every line.
The two pit bulls flanking the center like silent enforcers, the rosary dangling from clasped hands, the solid black spade, the single black rose; it’s built from the same visual language Menace perfected. If his work is the Old Testament of modern barrio art, this is straight-up homage.That’s exactly why it hits outsiders so hard.
The Symbols Still Speak Louder Than Words
The dogs = loyalty that never snitches
The black rose = somebody didn’t make it home
The spade = hands that have done what they had to do
The praying hands and rosary = “I’m a sinner, but I still got faith”
Menace made those symbols universal. You don’t need to speak Spanish or know what varrio claims what block to feel the weight.
The Contradiction Is the Point
What always gets me about Menace-inspired work is the contradiction: the toughest images on earth wrapped around the softest plea for mercy. That tension is pure humanity. We all live somewhere between pride and regret, between loving hard and losing harder.
Black-and-Gray Forever
Menace provedcolorur isn’t needed when the story is this heavy. Black and gray feels like memory, like old photographs, like scars that never quite fade. So no, I’ll never fully know the world that birthed this art.
But because of legends like Menace, I don’t have to.
One look and the translation is instant:
“This life is beautiful. This life is deadly. And we still pray.”All respect to the king, Simon Menace Valencia; the blueprint and the reason pieces like this exist at all.
The Contradiction Is What Makes It Human
This is the part that always gets me:
The same hands that might have done terrible things are folded in prayer.
The same life that celebrates toughness still begs for mercy.
The same streets that take lives are full of people who light candles for the dead.That clash (violence and faith, pride and regret, love and loss) is something every human being understands on some level, whether you grew up in Beverly Hills or Boyle Heights.
Why the Praying Hands Are There (and Why They Hit So Hard)
I know the praying hands can feel confusing if you didn’t grow up around the culture. Here’s the real, unfiltered reason they belong in this world:
Many were raised with religion
Even the hardest gang members, shot-callers, and lifers had an abuelita or a mom who dragged them to Sunday mass, made them kneel for the rosary, and told them “mijo, no matter what you do out there, God still loves you.” That never leaves you.
They’re a plea for protection
When you’re about to go handle business, or you’re locked in a cell knowing tomorrow could be war on the yard, you clasp your hands exactly like that and whisper “Señor, si me toca hoy, recíbeme… pero si no, dame chance de llegar a viejo.”
Translation: “Lord, if today is my day, take me… but if not, let me make it home to grow old.”
They’re an apology
A lot of guys have blood on those hands. The same hands that are folded in prayer at night are the ones that pulled triggers or swung blades during the day. The praying hands say, “I know I’m wrong, but I still believe You can forgive me.”
They’re a reminder to the dead
When someone gets killed, the homies get that exact praying-hands tattoo or draw it on the R.I.P. shirt because it means “We’re still praying for your soul, carnal. We know you’re with God now.”
They show the contradiction that keeps the streets human
The beauty of the image is the clash: two dogs , a hand marked with a killer’s spade, a black rose for the dead… and right in the middle, humble praying hands asking for mercy.
That contradiction is the entire point. No one in that life thinks they’re a saint. They just hope they’re not completely damned.
So the praying hands aren’t there to say “I’m holy.”
They’re there to say “I’m a sinner who still has hope.”That’s why, even if you don’t pray yourself, when you see those hands in Chicano art, something in your chest understands.
Black Spade Tattoo – What It Actually Means in the Streets (Real Talk, No Sugar-Coating)
The solid-black spade... is one of the heaviest symbols you can put on your skin in Chicano, prison, and gang culture. The exact meaning depends on where and when it’s worn, but here are the most common, real-world interpretations:
I’ve Killed” or “Willing to Kill”
The single most common meaning, especially when the spade is filled completely black.
In many California prison and Sureño circles (and some Norteño cliques too), a solid black spade on the hand, neck, or chest is a silent announcement that the wearer has taken a life or is ready to. It’s the modern equivalent of the old tear-drop tattoo.
Spadewood / Spade Clique Affiliation
Certain varrios and cliques literally call themselves “Spadewood,” “Los Spades,” or use the as their symbol. If you see it with specific letters or numbers next to it (e.g., SW, 13, or a specific area code), it’s usually a direct clique or neighborhood marker.
Thug for Life” / Hardened Criminal Lifestyle
Even outside of murder, a filled black spade can just mean “I live this life 100 % – no turning back.” It’s a badge that says you’re not a wannabe; you’ve put in real work (robbery, stabbings, shootings, etc.).
Gambler / Hustler Symbol (Less Common Today)
The original playing-card meaning (luck, risk-taking, “playing the hand you’re dealt”) still exists in some old-school Chicano and pinta circles, but when it’s filled solid black instead of just an outline, almost nobody interprets it as “I like cards” anymore.
Most Common Placement & What It Adds
Between thumb and index finger → flashes every time you throw a sign or hold a gun
Back of the hand / knuckles → impossible to hide
Neck or chest → “I’m not getting a regular job ever again”
Bottom line in 2025:
If you see a completely filled, solid-black spade on someone from the varrio/prison world, 95 % of the time it’s either saying “I’ve bodied someone” or “I will if I have to.” It’s one of the few tattoos that still makes even hardened convicts give a slight head nod of respect… or keep their distance.Wear it lightly at your own risk. Most who have it earned it the hardest way possible.
Tattoos like this are subjective and contextual; what flies in one barrio might get you checked in another prison yard. it's not universal, and meanings shift by region, era, and wearer
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